https://www.youtube.com/watch?v=sN18tLSdPdQ

An actual monster is different than a figurative one, and “New Monster Avenue” asks us to take the monster’s side.

Track: “New Monster Avenue”
Album: Get Lonely (2006)

Get Lonely started as an album about monsters, at least more literally than it ended up being. The finished product is pretty clearly a breakup album, though you can get into some fights with folks depending on how insistently you believe that. “New Monster Avenue” was the first song written for Get Lonely and thus keeps the monster theme more directly than the rest. The character is a monster, sure, but they’re someone we’re meant to sympathize with and to feel for their plight. This isn’t an unfamiliar position for John Darnielle to take, and he frequently introduces the song by talking about how he’s pro-monster.

John Darnielle sings all of “New Monster Avenue” high, but by the final verse he’s as high as he can possibly go. The delivery of “fresh coffee at sunrise” plays with what’s a pleasant image to most of us. The narrator of “Half Dead,” the song that directly follows “New Monster Avenue,” has a cup of coffee when they wake up, too. Neither of these characters is comforted by this moment. John Darnielle wants us to feel like the monster on the outskirts of town that the townsfolk fear and want to destroy. Even the morning pleasantries we rely on aren’t a given if everyone has branded you a monster.

We leave “New Monster Avenue” at the climax. The townsfolk are there with torches, which is always the fear if you’re the monster. All of Get Lonely is about not being able to relate to people and about how that can deepen your already deep fears, but “New Monster Avenue” is from a unique perspective. This monster is just trying to live. Not every Get Lonely narrator is this unambiguously right.

https://www.youtube.com/watch?v=13XKCyzj4Eg

“Half Dead” is there for you when you need it, though you definitely don’t ever want to need it.

Track: “Half Dead”
Album: Get Lonely (2006)

Get Lonely is about solitude and the emotions that accompany it. It’s a fragile album that is unlikely to connect with you if you listen to it in a good mood. “If You See Light” is the closest to an “upbeat” song on the album, even though you’ll see couples swaying peacefully to “Woke Up New” at live shows. John Darnielle says he’s surprised that people say the album is about a breakup, but that seems to be the general consensus. A breakup is the most obvious and repeatable way loneliness shows up for most people. The songs on Get Lonely aren’t all directly about a breakup, but they’re about how you feel when someone (or everyone) is gone.

A lot of the early catalog looks at antagonistic lovers or conflict between unknown parties, but Get Lonely looks at the aftermath. It’s not totally new ground for the band, but John Darnielle really lets his guard down all across Get Lonely. “Wild Sage” in particular is chilling and absolutely the best song at every live show because you can feel how much he loves it. Get Lonely is a nice bridge between the autobiographical The Sunset Tree and the explosive Heretic Pride, but you need to be open to approach it.

“Half Dead” is about someone being gone. It’s a straightforward song about the morning someone you love and need is no longer there for you. They may be dead or they may be just gone, but there’s a totality to “Half Dead” that makes the distinction not important. The narrator goes outside and wails “what are the years we gave each other ever gonna be worth?” In a different tone or a different song that might be an angry line, but here it feels like an admission of defeat.