You don’t need to know much about Portuguese goth music to appreciate “For the Portuguese Goth Metal Bands.”
Track: “For the Portuguese Goth Metal Bands”
Album: Goths (2017)
In the leadup to the release of Goths, I remember when John Darnielle excitedly released “Andrew Eldritch is Coming Back to Leeds.” I’d never heard of Andrew Eldritch. It’s a really specific song about a topic I knew absolutely nothing about, which is not uncommon as an experience when listening to the Mountain Goats. You may or may not know the boxer Pinklon Thomas or the wrestler Ox Baker. You may not have seen The Lady from Shanghai. I don’t know that you have to be familiar with the subject matter to enjoy the song, but it helps.
I don’t listen to the kind of music John Darnielle listens to. If you follow him on any social media platform, you’ll see that he’s excited about new and old music all the time. He recommends recordings enthusiastically and seems to take in more music than anyone I know. It’s a great way to be and it’s really cool, even if it isn’t always to my tastes. I’m not a fan of any of the bands referenced on Goths and I’m not even really all that familiar with the scene. It doesn’t matter, especially for a song like “For the Portuguese Goth Metal Bands.” This is so specific that most people won’t be familiar, so it has to be talked about with some universality.
It’s a song about being big in one place but still aspiring to have something else. John Darnielle says he wouldn’t expect to draw huge crowds in Japan and likens that to a band that’s enormous in some countries but might not play big rooms in America. It’s an interesting space to get lost in, even if you have no idea who Celtic Frost is.
[…] is the longest song on Goths and, as far as I can tell, it’s one of two songs (along with “For the Portuguese Goth Metal Bands”) on the album that has never been played live. The beat is great and hits you right away, but you […]
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